Three Mangoes for Hemingway

Searching for Margarito Temprana

“You have to put in the time. If you are not there, the words will not appear. Simple as that. A writer is not someone who thinks obsessively about writing, or talks about it, or plans it, or dissects it, or even reveres it: a writer is the one who puts his arse in the chair when the last thing he wants to do is have his arse in the chair.” (Colum McCann , Letters to a Young Writer)

Writing Exercise: The Discipline of Showing Up

Techniques Illustrated by the Quotation:

1. Commitment to the Physical Act of Writing – Progress happens when a writer consistently puts words on the page, not just when inspiration strikes.

2. Pushing Through Resistance – Writing on the days when it feels difficult strengthens discipline and deepens creative endurance.

3. Releasing Perfectionism – Showing up daily, even with imperfect words, builds momentum and demystifies the writing process.

500-Word Writing Prompt:

Set a timer for one hour. No checking messages, no scrolling, no walking away. Your task is to write 500 words of a story, reflection, or scene, no matter the quality. The focus is not on outcome but on the act of staying in the chair and writing through resistance.

• If you feel blocked, describe the room you’re in with extreme detail.

• If the story falters, switch perspectives or drop your character into an unexpected situation.

• If doubt creeps in, keep typing—write about the doubt itself if necessary.

There is no stopping before the hour is up. Your only goal is to write something.

Evaluation Criteria for a Strong Response:

• Words are on the page. Even if the work is rough or disjointed, the writer has honored the practice.

• Momentum builds. The piece doesn’t have to be complete, but the writing should show a willingness to explore rather than hesitate.

• Discomfort is acknowledged but not obeyed. If the writer felt resistance, did they write through it? Did they push forward rather than delete or stall?

• There is no erasing. Forward motion matters more than polishing. A raw, messy passage is more successful than a perfectly revised sentence with no new words following it.

Weak vs. Strong Execution:

Weak: “I don’t know what to write. This feels pointless. I’ll try again later.” (Avoiding the exercise.)

Strong: “I hate this blank page. It’s mocking me. Fine. I’ll write about the lamp on my desk. The shade is dented, the bulb too bright. I should replace it, but I never do. Like this story—how many times have I told myself I’ll start tomorrow?” (Pushing through the resistance by writing about the act of writing.)

Weak: (Nothing written after the first few sentences.)

Strong: (500 words, even if rambling, uncertain, or tangential.)

Follow-Up Questions for Workshopping/Revision:

• Where did you feel the most resistance? What did you do in that moment?

• Did any unexpected ideas emerge once you pushed past doubt?

• What surprised you about writing through discomfort?

• How did showing up for the full hour shift your perception of writing as a practice?

Recommended Reading:

• Letters to a Young Writer by Colum McCann – Practical insights on writing discipline and the necessity of showing up.

• On Writing by Stephen King – A direct, no-excuses approach to daily practice and persistence.

• Daily Rituals: How Artists Work by Mason Currey – A look at the habits and work ethics of famous writers, reinforcing the power of routine.

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