We Really Do Slip Into The Protagonist’s Skin

In short, when we read a story, we really do slip into the protagonist’s skin, feeling what she feels, experiencing what she experiences. And what we feel is based, 100 percent, on one thing: her goal, which then defines how she evaluates everything the other characters do. If we don’t know what she wants, we have no idea how, or why, what she does helps her achieve it.